Wednesday, October 22, 2008

Lucas Grogan






















Lucas Grogan (NSW)
2008
LOVE
Prints, Tape

Ahn Wells






















Ahn Wells (NSW)
2008
Pathways
Cardboard

Luke Thurgate and Dean Cotter






















Luke Thurgate and Dean Cotter (NSW)
2008
Create and Destroy (heart)
Charcoal

Belinda Howden






















Belinda Howden (NSW)
2008
yin + yang
Paste Up

Fiona Lee






















Fiona Lee (NSW)
2008
Economy of Form 1655
Acrylic

Dean Cotter






















Dean Cotter (NSW)
2008
Sydney Opera House 2008
Digital Archival Print

katebrady






















katebrady (NSW)
2008
do you see what I see
Ink Drawings, Photocopies, Glue

Sean






















Sean (NSW)
2008
Untitled

Jess Coughlan






















Jess Coughlin (NSW)
2008
Pteradactyl
Gloss (clear)

Angelica Dainja






















Angelica Dainja (NSW)
2008
Tender Things (Don't you forget about me)

Colleen Hoad






















Colleen Hoad (NSW)
2008
'Two Minds'
Acrylic Paints, Gesso, Shellac, Ink

Monday, June 30, 2008

Scott Cotterell























Scott Cotterell (TAS)

HALF THEORY

Acrylic, enamel, masking tape

This catalogue accompanies Takashi Murakami's LA MOCA show (see p45). surprisingly for such a high-profile artist, it's his first major book, edited by MOCA's chief curator. Given that this show will have a (controversial) booth selling expensive Murakami logoed Louis Vuitton bags, and that the artist's wares often fetch up an eBay, many will find this desirable.
Whether it's art is another matter….
1+1=?

Selena de Carvalho























Selena de Carvalho (TAS)

SORRY TO RAIN ON YOUR PARTY…

Wallpaper, acrylic, watercolour, collage

Exploring the seamless fusion of the imaginary and mysterious that is a childs sense of the world. I was inspired by photos taken in the desert of my daughter Ruby Peppa and her great friend Bassi Brown. It is immense to be the guiding force upon another life in a world that is so rapidly changing, growing and disappearing.