10%pending - artists

Henry Hawthorne

2010-02-25T21:56:00.000+11:00

Henry Hawthorne

2010

Holly Radunz

2010-02-25T21:53:00.001+11:00

Holly Radunz

2010

Andrew Harper

2010-02-25T21:51:00.002+11:00

Andrew Harper

2010

Ingrid Berger

2010-02-25T21:51:00.000+11:00

Ingrid Berger

2010

Samara Mc Ilroy

2010-02-25T21:50:00.000+11:00

Samara Mc Ilroy

2010

Iona Johnson

2010-02-25T21:47:00.001+11:00

Iona Johnson

2010

Jack Robins

2010-02-25T21:46:00.001+11:00

Jack Robins

2010

Field

Lucy Hawthorne

2010-02-25T21:45:00.000+11:00

Lucy Hawthorne

2010

Nicola Smith

2010-02-25T21:44:00.000+11:00

Nicola Smith

2010

Peter A. Robinson

2010-02-25T21:43:00.000+11:00

Peter A. Robinson

2010

Pip Stafford

2010-02-25T21:33:00.004+11:00

Pip Stafford

2010

Sarah Jones

2010-02-25T21:32:00.000+11:00

Sarah Jones

2010

Cath Robinson

2010-02-25T21:30:00.000+11:00

Cath Robinson

2010

Selena de Carvalho

2010-02-25T21:27:00.002+11:00

Selena de Carvalho

2010

Ben Ryan

2010-02-25T21:26:00.001+11:00

Ben Ryan

2010

Alice O'Brien

2010-02-25T21:24:00.001+11:00

Alice O'Brien

2010

Anni Jensen

2010-02-25T21:23:00.000+11:00

Anni Jensen

2010

Alison McCrindle

2010-02-25T21:20:00.001+11:00

Alison McCrindle

2010

Aviva Hannah

2009-06-19T15:20:00.004+10:00

Aviva Hannah (Tas)

2009

Under bat wing gaze

painting

Fiona Lee

2009-06-19T15:17:00.004+10:00

Fiona Lee (Tas)

2009

10% Missing

Engraved cardboard, Conte, ink, aluminium flashing, graph paper

Max

2009-06-19T15:16:00.005+10:00

Max (Tas)

2009

optic confusion

paper trail items

Jack Robins

2009-06-19T15:15:00.004+10:00

Jack Robins (Tas)

2009

Space Invaders

Matchsticks, glue, pencil

Tristan Stowards

2009-06-19T15:13:00.005+10:00

Tristan Stowards (Tas)

2009

I AM

Oilstick

Noni Gander

2009-06-19T15:11:00.004+10:00

Noni Gander (Tas)

2009

Medicine Man

Gouache, ink and pencil

Pip Stafford

2009-01-30T12:21:00.004+11:00

Pip Stafford (TAS)
2008
From Tabor... With Love
Mixed Media

Jasmine Salomon

2009-01-30T12:19:00.002+11:00

Jasmine Salomon (VIC)
2008

Tom Oh! Hern, Joe Oh! Dwyer

2009-01-30T12:16:00.004+11:00

Tom Oh! Hern, Joe Oh! Dwyer (VIC)
2008
True Love Will Get You in the End
Household Acrylic

Genevieve Fry

2009-01-30T12:13:00.004+11:00

Genevieve Fry (VIC)
2008
Landscape/XVII Cityscape
Doctor's Gauze, Red Thread, Oil Pastel, Grey Lead

Tamara Lunn

2009-01-30T12:09:00.004+11:00

Tamara Lunn (VIC)
2008
I love ELEPHANTS, they are so BIG
Construction Paper, Newspaper, Red Cotton, Derwent Pastel Pencil (Chocolate 66B)

Lucas Grogan

2008-10-22T14:42:00.005+11:00

Lucas Grogan (NSW)
2008
LOVE
Prints, Tape

Ahn Wells

2008-10-22T14:41:00.004+11:00

Ahn Wells (NSW)
2008
Pathways
Cardboard

Luke Thurgate and Dean Cotter

2008-10-22T14:39:00.003+11:00

Luke Thurgate and Dean Cotter (NSW)
2008
Create and Destroy (heart)
Charcoal

Belinda Howden

2008-10-22T14:38:00.004+11:00

Belinda Howden (NSW)
2008
yin + yang
Paste Up

Fiona Lee

2008-10-22T14:36:00.003+11:00

Fiona Lee (NSW)
2008
Economy of Form 1655
Acrylic

Dean Cotter

2008-10-22T14:35:00.003+11:00

Dean Cotter (NSW)
2008
Sydney Opera House 2008
Digital Archival Print

katebrady

2008-10-22T14:34:00.004+11:00

katebrady (NSW)
2008
do you see what I see
Ink Drawings, Photocopies, Glue

Sean

2008-10-22T14:33:00.004+11:00

Sean (NSW)
2008
Untitled

Jess Coughlan

2008-10-22T14:32:00.004+11:00

Jess Coughlin (NSW)
2008
Pteradactyl
Gloss (clear)

Angelica Dainja

2008-10-22T14:29:00.003+11:00

Angelica Dainja (NSW)
2008
Tender Things (Don't you forget about me)

Colleen Hoad

2008-10-22T14:28:00.004+11:00

Colleen Hoad (NSW)
2008
'Two Minds'
Acrylic Paints, Gesso, Shellac, Ink

Scott Cotterell

2008-06-30T22:15:00.003+10:00

Scott Cotterell (TAS)

HALF THEORY

Acrylic, enamel, masking tape

This catalogue accompanies Takashi Murakami's LA MOCA show (see p45). surprisingly for such a high-profile artist, it's his first major book, edited by MOCA's chief curator. Given that this show will have a (controversial) booth selling expensive Murakami logoed Louis Vuitton bags, and that the artist's wares often fetch up an eBay, many will find this desirable.
Whether it's art is another matter….
1+1=?

Selena de Carvalho

2008-06-30T22:10:00.002+10:00

Selena de Carvalho (TAS)

SORRY TO RAIN ON YOUR PARTY…

Wallpaper, acrylic, watercolour, collage

Exploring the seamless fusion of the imaginary and mysterious that is a childs sense of the world. I was inspired by photos taken in the desert of my daughter Ruby Peppa and her great friend Bassi Brown. It is immense to be the guiding force upon another life in a world that is so rapidly changing, growing and disappearing.

Tiffany Hampton

2008-06-30T22:07:00.002+10:00

Tiffany Hampton (TAS)

UNTITLED

Paint, human hair, wool

Monica Escobar

2008-06-30T22:05:00.002+10:00

Monica Escobar (TAS)

UNTITLED

Mixed media

Amanda Shone

2008-06-30T22:03:00.002+10:00

Amanda Shone (TAS)

: 42.89°S : 147.33°E (WHEN THE WEATHER OBSCURES THE VIEW)

Cardboard, paper, glue, acrylic paint, pencil

The frigate was then at 31°15' north latitude and 136°42' east longitude…Night was approaching.
They had just struck eight bells; large clouds veiled the face of the moon, then in its first quarter. The sea undulated peacefully under the stern of the vessel.

"Precisely Ned: So that at 32 feet beneath the surface of the sea you would undergo a pressure of 97 500 lbs.; at 320 feet, ten times that pressure you would be at 97 500 000 lbs.-that is to say, that you would be flattened as if you would have been drawn through the plates of a hydraulic machine!"

"Thus mat this inexplicable be explained, unless there be something over and above all that, one has ever conjectured, seen perceived or experienced; which is just in the bounds of possibility."

Mat Ward

2008-06-30T22:01:00.003+10:00

Mat Ward (TAS)

LITTLE BUNNY RABBITS HOP JOYOUSLY AMONGST RAVAGED INDUSTRIAL DECADENCE INSPIRED DELINEATED SPACE

Psssst… . It's just friggin' paint

Joel Crosswell

2008-06-30T21:59:00.003+10:00

Joel Crosswell (TAS)

2008

EMERGENCY

Mixed media

Catherine Morse

2008-06-30T21:56:00.001+10:00

Catherine Morse (TAS)

2008

WHAT IS SOFT? WHAT IS NOT?

Wallpaper, wool, cotton, paper, paper bags, Deborah's scarf

home is safe and soft. as I watch the bodies of others fill up with stories and sounds. mine is too. but mostly it's quiet.

This work is about home, about safety, about memories, and about the night, the street and how it often offers up safety for the mind with its soft blackness floating dreams and bitumen blue carpets.

Carolyn Wigston

2008-06-30T21:53:00.001+10:00

Carolyn Wigston (TAS)

2008

VITRUVIAN APOCALYPSE

Acrylic on cardboard

The greater the decrease in the social signifigance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
- Walter Benjamin

Ghostpatrol

2007-09-02T14:46:00.004+10:00

Ghostpatrol (VIC)

2007

Painting Rabbits in Vienna

Spray paint and acrylic on cardboard

Returning from deathtron mountain is the best chance to visit your friends amongst leaf litter. Climbing the shape of a ladder, wolves and rabbits creepy etc. Trains to ride, bikes to fall from when I’m in owl costume ultra mode. Don’t tell my wife.

soz & ratboy

2007-09-02T14:43:00.002+10:00

soz & ratboy (TAS)

(Sarah Jones & Callum Donoghue)

2007

How I met your Mother

Acrylic and enamel on cardboard
How I met your Mother, is two sides of a story, a dialogue between two artists, from two small towns.

It examines the roles of the masculine and feminine on a personal level, within the construct of the family, and finally as part of a ‘local’ community.

dis·pa·rate & des·per·ate.

Alice O’Brien

2007-09-02T14:40:00.002+10:00

Alice O’Brien (TAS)

2007

Didn’t Your Mother Tell You Not To Play With That… Part 3

Permanent Marker

Drawings of a lady… I’m interested in hips & elbows… I only used one and a half permanent markers on this one…

Aaron Horsley

2007-09-02T14:37:00.002+10:00

Aaron Horsley (TAS)

2007

walk to work

Digital photographs & acrylic paint on cardboard

Walk to work is an?exploration?of the?idea of travelling between places?pictorially.?I?documented?a journey using 1400?photographs. I am?interested?in how a seemingly?mundane?process becomes a pattern where each moment is held for closer examination.

Rachel Males

2007-09-02T14:34:00.002+10:00

Rachel Males (TAS)

2007

Conversation Chair

Cut-out, vintage wallpaper

This work makes up part of a series influenced by colonial furniture. Although flat, it offers viewers that same sense of relief that they would encounter had they stumbled across such a chair in the street…

Tim Panaretos

2007-09-02T14:31:00.001+10:00

Tim Panaretos (TAS)

2006-07

Untitled

Type C Photographs, staples, frustration

Andrew Harper

2007-09-02T14:29:00.001+10:00

Andrew Harper (TAS)

2007

I Have 593 Friends on MySpace

Photocopied glittery kitty stickers

This is a story about my own obsession with grabbing things that are not art, with using processes that come from offices, looking at modern technology, and mixing all that together in a bucket (or more correctly, my head) DIY – Lo-Fi is the best.

Cheers

Andrew H.

Age 39

Tamsin Kemp

2007-09-02T14:27:00.002+10:00

Tamsin Kemp (SA)

2007

This is Not the Way Home

Painting

Where is the other one?

That is the story we want to know.

There is always a story that’s absent.

Henry Hawthorne

2007-09-02T14:24:00.002+10:00

Henry Hawthorne (NSW)

2007

la la la la la

Mobile phone photos

Ali Aedi

2007-09-02T14:22:00.002+10:00

Ali Aedi (TAS)

2007

Pulse

Aluminium, tar and sand

Pulse refers to the body’s rhythm where each heart beat, each breath flows into the next, from one to another.

Alison McCrindle

2007-09-02T14:16:00.002+10:00

Alison McCrindle (TAS)

2007

Pretty Crap

Vinyl on Cardboard

Philippa Steele

2007-09-02T14:09:00.001+10:00

Philippa Steele (TAS)

2007

After the Cut-out

Cardboard box, digital photographs, paper and pen.

After the cut-out is a project that takes everyday objects from my own home into the public sphere. Through analytical processes, personal contexts and significances — often associated with an object — are disregarded for ease of public consumption.

A description of the object’s properties and relations are documented alongside photographs — liberated from subjective representation, the objects undergo rigid classification.

However — as though an invisible thread held the object together — the fragmentary process of classification has excised the object from existence. Likewise, the objects are ‘cut-out’ from their photographic record.

In an attempt to recover the missing objects, I ask the viewer for a personal description of how such objects are perceived in their mind — through the senses — to hold, to touch, to taste, to hear, to see.

Tremoure

2007-09-02T14:00:00.001+10:00

Tremoure (TAS/NSW)

2007

Anthony’s future, and his book on ‘the pedestrian city’

Performance / video

I have a friend, it’s a long story. He talks about himself, tells me stories, I listen. These are not stories like the ones he tells new people, I’ve heard those, they make him sound interesting. I listen to the stories that see him breaking down, falling apart, losing. If I wasn’t so afraid of break down, destruction and loss, these could be my stories…